Untitled, 2020

Mixed Media

22⅝ x 22⅝ in.

57.5 x 57.5 cm

0 x 0 in. (framed)

0 x 0 cm (framed)

AK-UN1-2020

$ 4,300.00 USD

Wood cutting, incision, engraving, acrylic, collage paper and collage of wood and wood dust on wood plywood. Alexandre Kyungu Mwilambwe lives and works in Kinshasa, Democratic Republic of Congo. He is co-founder of the group Vision Total (vi.to) and works in collaboration with Kin Art Studio (KAS). He has participated in several group exhibitions and residency artist in his country and abroad. Alexandre Kyungu Mwilambwe: the imaginary between mapping and scarification of the body, he combines painting, drawing, sculpture and installation in his practice as an artist. However, his work explores all ideas of migration and identity, borders and space, signs and symbols. His art practice focuses on issues related to urban space, exploring parallels between urban mapping and body scarification. The medium of choice is the "door", which he attributes to being synonymous with openness, encounter and discovery in an increasingly universal society. His work functions as a "cartographic essay" in which he attempts to construct a new and global world while merging and juxtaposing maps of different cities and the scarification of the body. It is a way for him to question identity, the city and its cartography, to erase borders between peoples and to give birth to a unique territory in the imaginary space of his work. The shadow of the city: a series of works that evokes and questions the areas and spaces of conflict in our system and in the living space we share with each other. The series is composed of a map of different countries, cities and regions in conflict or in danger and a silhouette inverted and posed above a map of cut wood (plywood). She is scarified with the traditional African symbol nzoloko (scarification) and painted with small geolocation symbols in several colors on her body.

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